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Kano Miyu Seoul Live ‘1999’ · January 17, 2026

Kano Miyu’s Seoul concert took place at Hongdae STAGE on January 17, 2026. This guide preserves the times, prices and entry conditions of that completed event; it is not a performance currently on sale.

Completed concertSeoulPast event
AT A GLANCE

At a glance

Event status
Ended · Saturday, January 17, 2026
Times
Doors 17:30 / Show 18:30 · Listed duration: 90 minutes
Venue
Hongdae STAGE · B1, 68 Eoulmadang-ro
Prices at the time
VIP ₩120,000 / General ₩90,000 · All standing
Age restriction
Ages 8 and up
Original ticket seller
Exclusively Melon Ticket · Up to 4 tickets per person

Checked · 2026.10.27

ABOUT THIS PLACE

Kano Miyu Seoul Live ‘1999’ · January 17, 2026

Kano Miyu’s Seoul concert took place at Hongdae STAGE on January 17, 2026. This guide preserves the times, prices and entry conditions of that completed event; it is not a performance currently on sale.

    Date, venue and ticket categories

    The official booking information listed an 18:30 start on January 17, a 90-minute duration and Hongdae STAGE on B1 of Hongdae Café. The artist’s official announcement specified doors at 17:30 and an all-standing concert.

    ItemInformation at the time
    Concert dateSaturday, January 17, 2026
    Doors / Show17:30 / 18:30
    Duration90 minutes in the booking listing
    TicketsVIP ₩120,000 / General ₩90,000
    FormatAll standing · VIP admitted first

    Booking opening and ticket collection

    Bookings opened on Melon Ticket at 18:00 on December 16, 2025, with a limit of four tickets per member. The official notice required on-site collection and presentation of the purchaser’s own ID and booking details. Non-Korean attendees were required to bring a passport or alien registration card.

    Admission followed arrival order, with VIP ticket holders entering before general admission. Prices on the ticket page covered admission to the concert, not total spending including merchandise or additional purchases.

    VIP benefits and photography

    The official VIP benefits were priority entry and a post-show send-off, where attendees could exchange a few words with the artist as they left. Photography and video were permitted during the send-off. That permission was separate from the rules on photography and recording during the main performance.

    The CD signing and merchandise purchases described in the journal were separate experiences at the venue. The recollection of 20 CDs and about ₩70,000 in merchandise should not be treated as benefits included with every VIP ticket.

    What attendees needed at the time

    The official instructions listed a limited number of coin lockers in the lobby, no dedicated parking, and the requirement to bring ID and booking details. Large suitcases, folding chairs and large flags that could obstruct standing attendees, along with professional filming equipment, were subject to restrictions on entry or use. These are preserved as the operating conditions of the January concert.

    The music and the journal

    The official discography gives the song title as “Akiramenaide” (あきらめないで, “Don’t Give Up”). The final Japanese syllable de is part of the title. Personal impressions of the Seoul concert appear in the linked JOURNAL.

    FROM THE JOURNEY

    The story behind this place

    Kano Miyu holding the microphone
    2026.01.17 — 01.19 · Seoul · Incheon, South Korea

    A Winter Waiting for Miyu,
    and the Kindness We Shared in Seoul

    PROLOGUE

    Welcoming Them to Seoul

    Whenever I traveled to Japan to see Miyu perform, there were people who walked unfamiliar streets with me and shared the hours before and after the show. In January 2026, those people came…

    Read this scene ↗
    JAN 17

    A Night Close Enough to Hear Who Miyu Is Now

    The concert had begun long before the stage lights came on. The first thing I felt was the tension of waiting. News that only twenty copies of the Baby Paradise CD would be available…

    Read this scene ↗
    EPILOGUE

    Gathered for Miyu, Waiting for One Another’s Next Time

    Looking back on the three days, Miyu is still the first person who comes to mind. Her voice heard close to the stage, and the greetings she offered with a smile, gave familiar Seoul streets…

    Read this scene ↗